That feeling is underscored by the narrator’s friendship with Earl, a man about 20 years his senior. Regardless, a Library of America volume would be the least he deserves.
Blame the long waits between books, or a mainstream literary culture that’s often treated LGBTQ fiction as a niche enterprise. His essays and other works of fiction are similarly rooted in the lives of gay men, but his Jamesian powers of observation haven’t translated into major prizes or name recognition. His 2006 novel, “ Grief,” is a melancholy masterpiece about how so many of those men were cut down by AIDS. Holleran’s debut, 1978’s “ Dancer From the Dance,” is among the great post-Stonewall novels, capturing the fading youth of a coterie of gay New York men. Which is to say that it continues the project Holleran began four decades ago: elegant, contemplative works obsessed with matters of intimacy and loss. “This story is about the things we accumulate during a lifetime but cannot bear to part with before we die,” its unnamed narrator explains. If you buy books linked on our site, The Times may earn a commission from, whose fees support independent bookstores.Īndrew Holleran’s fifth novel, “ The Kingdom of Sand,” announces its theme early.
